Published: May 2015 by Macmillan Children’s Books
Genre: Fantasy, Historical, Mystery
Rating: ♥ ♥ ♥ ♥ ♥
Behold the 2015 Costa Book of the Year Award Winner! I found out about The Lie Tree after its shock win, becoming only the second time a children’s book has won the award since Philip Pullman’s win in 2001 almost fifteen years ago. The Lie Tree is a murder mystery wrapped up in historical fiction and so I was super excited to get stuck in.
Fourteen-year-old Faith finds herself thrown into a tale of mystery and intrigue when her father dies suddenly and under suspicious circumstances. No one else in her new village seems to agree though, and so Faith takes it upon herself to solve his murder. Amongst her father’s papers she finds evidence that points to a tree that survives on lies and rewards the person who sustains it with hidden secrets. Faith realises that the tree contains the secret to her father’s death and begins to feed it with progressively bigger lies, but she finds that not all truths are easy to bear…
Dead people bled silence
Well what to say about this book? It simply and utterly blew me away. I was totally and completely engrossed in Faith’s world from page one. She is a wondrously complex and inquisitive character and, although only fourteen-years-old, will resonate with readers young and old with ease. She had faults, good intentions, she loved and hated passionately, intelligence beyond her years, and an understanding of the ways of the world and the unfairness of her place as a female within that society. However, she was also naive and desperate for the acceptance of her father. I could literally go on. I haven’t come across a character in a very long time that I was so invested in. She is a fantastically realistic character, bolstered even further by a strong cast of supporting characters.
The rules tinkled silently as they broke
The prose was another delight. Frances Hardinge is a master of the English language and I found myself highlighting loads of passages as I read (grand total being upwards of 30!). The Lie Tree was atmospheric and beautiful in its detail and almost seemed like a love letter to the British coast – with its overcast but evocative weather and eccentric village cast. One thing I really noticed was how imaginative and original Hardinge is in her use of similes and metaphors. There’s a page where the author describes the sensation of taste and it was so expressive that the description left me responding physically – suffice to say this doesn’t happen often and Hardinge’s talent shines through her prose.
And now Erasmus Sunderley would be added to the names of the deceased in the family Bible, another little human life crushed fly-like between its great pages
Although the story is based on an outlandish fantasy object, the Lie Tree, I like how the author doesn’t glorify or overstate the oddity of the plant and its powers. Instead, Hardinge focuses the narrative on an exploration of the human character including the effects of greed and gossip. I loved the insights into Regency society – Faith’s canny and witty observations threw into sharp relief the societal restrictions placed upon women and girls and how she desperately wants to defy these. Whilst the main characters are predominantly male and Faith encounters many obstructions from male characters in her investigation, it is the female characters who are vivacious and strong despite the restrictive rules and conventions of society. Hardinge’s exploration of this, and Faith’s desperation to learn and to be accepted for her mind, weaves through the story but is never heavy-handed.
Each lady quietly relaxed and became more real, expanding into the space left behind by the men. Without visibly changing, they unfolded, like flowers, or knives.
The story moved along really well – there were no filler scenes with everything that happened contributing to moving along the plot. It was pacy and brisk, meaning that it kept the suspense ratcheted up – important in a book of this genre. I did not see the ending coming but liked it a lot. The only slight critique being that the action was a little hijinks compared to the rest of the novel and was a little jarring. However, it was executed well and did not detract from the overall excellence of the book.
I am not in the least bit surprised that The Lie Tree won the Costa Book of the Year Award. This was a brilliantly evocative story with just the right amounts of intrigue, drama, societal issues and coupled with a fantastic cast of characters. In case my adoration wasn’t evident in the rambling above, I wholeheartedly recommend The Lie Tree and if you haven’t read it already, it’s well worth bumping this up to the top of your TBR list!